Audio Lectures

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These  lectures were broadcasted at Vanderbilt University’s WRVU in the Fall of 2011.  The first lecture was exegetical. Starting at John 1:1’s first five words.  The focus was on the nature of the Trinity to the pagan (a-moral) and the Biblical account. We find that one account necessitated the other with dimension and brilliance.

The 2nd through the 4th were based on answering one of my best student’s questions concerning “time’’, ‘’evolution’’, polemics against Biblical ‘creationism’, etc.  At the end of lecture 4, we turned to a hyper focus on “time’’ and “light” as to their meaning from a Theological/ Zodiacal perspective.

The field of Numismatics (study of  ancient coinages) was brought in to support our astrological theme concerning a prophecy of the Messiah written in the stars.

Finalizing with lectures 7-10 as fulfillment of the Pagan’s hope concerning Messiah/ Pure Sacrifice/ God on Earth.

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In these mini lectures I discuss the Verb as God and us and the dead noun. I believe that The VERB rushes upon us causing us to breathe, move, think, repent, etc. **GOD IS THE LIVING VERB AND WE ARE THE DEAD NOUN who is *quickened by the VERB who is the Prime Cause (Prima Causa) and we are HIS effect.

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GOD ordained all things (mass, energy and time) before our physical creation. We can do NOTHING to change God’s Sovereign Will. “Free Will” is an ordained and necessary illusion. I will cover the numerous definitions and vocabulary for “free” and for “will” in the anatomy of the will. No such cocktail of “free agency’’ exists as a reality nor was the western hemisphere’s notion to our sense of “free will’’ a reality to the 1st century dialogues of Jesus in the Gospels or the Apostles’ Epistles, especially the Pauline epistles.

Some of these Daily Devotionals concerning the sovereignty of God were relaxed and practically said. Some will be highly doctrinal.

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Celtic/Brythonic studies of THE HOPE of a Heathen’s Messiah to come. Such an Albion or ancient British Isles did look for a type of Messiah prior to the event of our beloved Historical and Theological Jesus of the 1st century A.D.

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In this devotional category, I take a deep look into Shakespeare’s understanding of fatalism, free will and sovereign grace by regarding all of their distinctions. Strikingly, the laws of Grace are never affected by the laws that govern fictional writing, but do govern themselves. This, somewhat, ties into the “Field of Fatalism/ “Study of Evil” category

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Simply put: The ‘system’ of seeing and wanting; satisfying the eye, taste, hearing, etc. IS the system of Christmas and has made Israel fall and is making the Western Church incapable of being taken seriously.  It doesn’t take much to find the pagan origins in Christmas, yet, the  Christians of today will NOT release themselves from the same system of desire that Jeremiah warned all of God’s Children in Jeremiah 10 with.

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I try to show that American Indians have their heritage found in Baltic and Georgian culture, which is related, I believe, to the BIBLICAL EDEN.

I attempt to show genetic and linguistic affiliations between the Adin or Eden (Biblical EDEN) of ERIDU presently located in the Northern section of Iran and that of the early American Indians. The verbal functions found within many Indian languages do denote a time when the verbal function was more important than the noun or putative-nominal aspect. Also, the ‘analogue’ of the noun was found in a more natural sense and less than that of mechanisms or tools forged by man

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My *Sovereignty lectures preface this category but could easily but turned around to have this category of study preface my *Sovereignty lectures. In this category, I show that *Fatalism is to be distinguished from *Sovereignty and from *Free Will.

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This has to be one of my favorite studies over the past 30 years of my Biblical and Linguistic journeys

ALL evolutionary history participates in “THE STORY”, or a Theological-collective meaning, by a Supernatural Plan and it’s Creator (in brief ).

A unification of 100,000 years of the evolution of thought/consciousness which was, I believe, interrupted from it’s natural flow or contiguous ‘nature’ and superimposed, in the fullness of a meaningful and intentional time allotment, by a new theme which answered to the seemingly random nature of early societies and their attempts to make meaning out of their *natural surroundings.

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The ingenious mind of Professor J.R.R. Tolkien used a musical, cultural and linguistic reconstruction within the mechanisms of fictional rules to convey Lucifer’s fall. Such a Fall was based in a repetitive rhythmical ostinato and braying of horns that was relegated to Amplitude/Volume and Velocity or speed (without the freedom of breadth, width, dimension and color scheme). This Fall might be referenced in Ezekiel 28: 1-ff (In these lectures, I pay close attention to the Hebrew “Tup-pe-ka (drums; i.e., “drumming”)” that Lucifer was given as a gift in the Day that Lucifer was CREATED.