The ingenious mind of Professor J.R.R. Tolkien used a musical, cultural and linguistic reconstruction within the mechanisms of fictional rules to convey Lucifer’s fall. Such a Fall was based in a repetitive rhythmical ostinato and braying of horns that was relegated to Amplitude/Volume and Velocity or speed (without the freedom of breadth, width, dimension and color scheme). This Fall might be referenced in Ezekiel 28: 1-ff (In these lectures, I pay close attention to the Hebrew “Tup-pe-ka (drums; i.e., “drumming”)” that Lucifer was given as a gift in the Day that Lucifer was CREATED.

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Psalms 147:4

Psalms 147:4 – “He Telleth the number of the stars; He giveth them all their names” —- / Psalms 19:1 “The Heavens Declare the Glory

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The “dung god” or “fly god”, Beelzebub, seems to be first built upon its early onomatopoeia of a pestilential creature flying by.  Later, ‘sound-name’ to

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DRYDEN, Dryton, DYAUS, Deus, etc is the Indo European comparable title to Aleph- the Lead Ox, The God, The Head, The Beginning, the one who

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